Michael Rhoades' Perception Factory
Dedicated to the Advancement of Human Consciousness
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Computer Music
Bio
Musical Background
Discography
Performances
Visual Music
Digital Art
2022 – Accidental Abstractions
2022 – Embodied Cognition Stills
2021 – Crimson Castle Stills
2020 – Antitheses Stills
2013 – Digital Paintings
2011 – Explorations
Paintings
Artist Statement
2019 – Northern Light
2018 – Southern Chroma
2017 – Imagined Forest
2015 – Thunderstruck
2015 – Virginia in the Raw
2014 – Large Scale
2014 – Misc
2104 – Road to Hana
2013 – Horizontal Blue
2013 – Chain O’ Lakes
2012 – Miniatures
2011 – Power Places
2010 – Misc
Exhibits
Installations
Echoes and Reflections Installation
Horizontal Blue Installation
Lectures/Writing
Kinetic Relationships in Visual Music Composition – 2022
Bilateral Communication Between the Unity Game Engine and MAX – 2021
Leonardo Music Journal Paper – 2020
Composing Holochoric Visual Music: Interdisciplinary Matrices – 2020
Creative Abstraction in Auditory and Visual Art – 2018
The Art of Quietness – 2018
Thought and Creativity: Can they coexist? – 2018
Dethroning Commodification as an Intrinsic Aspect of the Creative Process – 2018
Visual Music Compositional Schema – 2017
Compositional Process – 2017
Probabilistic Creativity – 2017
Mining Emergent Quanta – 2016
LHC Lecture/Paper – 2013
Toward a Contemporary Musical Consciousness – 2013
Cartesian Panning Matrix – 2013
Emergence – 2012
Harvest Moon Lecture – 2009
Azimuth – 2005
Linux RH7 / Win2K – 2002
Simple Instrument / Complex Score – 2001
Csound Editorial – 2001
Csound Composition – 1999
Metaphysics
Quotes With Drilldowns
Expectations – 2022
The Death of Fear – 2016
Beyond Humanity – 2015
Embracing Our Unforeseen Destinies – 2015
Unity – 2015
Message From My Future Self – 2014
Supplanting Thought With Awareness – 2014
Songs From My Future Self – 2013
Conscious Unconsciousness – 2011
Contact
CV
Process Notes 3
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